I can't let the day go by without sharing my appreciation for the 1969 musical "1776". It came to life during the "counterculture" era (appearing only two years after "Hair" made it's off-Broadway debut). It's a miracle that it's take on the founding fathers was not fatally warped by the anti-establishment feelings of the time, or by the conservative backlash that resulted in the election of Richard Nixon in 1968.
The story made the transition to film in 1972. It's an almost-documentary portrait of the final difficult days in the Continental Congress prior to the signing of the Declaration of Independence. It is full of comedy, and knocks the Founders off their pedestals. But it also humanized them and does not gloss over the issues that vexed them: Independence or reconciliation with Britain? Liberty for all, or for men of property? Women's rights? The question of slavery?
The issues are debated publicly in Congress, and privately between John and Abigail Adams. Adams is the central character, as he deserves to be. He maneuvers the delegates for votes, debates independence with John Dickinson, bullies Jefferson into writing the declaration, and clashes with Edward Rutledge over slavery.
It is a remarkable balance of humor and drama, and entertaining as all get out. The film had an entirely wonderful cast, but William Daniels as John Adams, and Howard da Silva as Franklin deserve special recognition
My favorite scene is from the song "But, Mr. Adams" where the four members of the Declaration Committee argue over who is to write the damned thing. Franklin, Livingston and Sherman bow out. Jefferson declares that he is returning to Virgina to be with his new bride. Adams bars bars his way on the staircase demands:
Adams: "Now, you'll write it Mr. J."
Jefferson: "Who will make me Mr. A?"
Adams: "I."
Jefferson:"You?"
Adams: "Yes.
Jefferson:"How?" (towering over Adams menacingly)
Adams: "By physical force if necessary."
The floor is open: